Category: Culture

Immerse in Vlatos culture, the “Village of Peace and Culture” in western Crete: Vibrant panigyri feasts with music & dance, folklore museum of Neolithic-Roman artifacts & crafts, traditional olive cultivation, winemaking, and the acclaimed Vlatos Jazz Festival fusing global sounds with Cretan heritage in a candlelit historic church. Authentic traditions thrive amid serene mountains!
  • Feeding the vultures

    Feeding the vultures

    Could well be a movie title equivalent to Dances with wolves? Sure, if this was not the case that the co-owner and restorer of the medieval settlement that became Milia Mountain Retreat (a local “Green Man” in his overwhelming passion for Nature preservation and species protection), Giorgos Makrakis, wouldn’t put it in practice. Committed to practicing absolute recycling of resources, Giorgos often drives to the sloping sides of the mountains around Milia and disposes of organs and bones from dead animals on his farm, in order for the predator birds (vultures) that fly over him throughout his life to have a meal.

    Predator birds in Crete, vultures of two different kinds, the Gypaetus Barbatus and the Gyps Fulvus, are often seen over the sky of Milia, with the second being the most common species. The Gyps vulture has a wingspan of 260cm and a body length of around 97 – 104 cm, slightly smaller than its family, the Gypaetus, with 270 cm wingspan and body length ranging between 102 and 114 cm. 

    The “Gyps and Co” fly in smaller or larger groups, and their color can be distinguished easily with binoculars; the feathers of the collar are white short for an adult, who has a white-gray head and neck, brown to white-gray plumage. This species is known for only eating dead flesh, which practically means that it can rather cause awe than a threat, as it does not attack anything moving. 

    The bigger Gypaetus has an off-white head and chest, square wings, black back, and a long tail, is rare in the area and very difficult to reproduce. It is being fed exclusively by bones, thus the remaining part of the others’ meal, which practically means that Nature knows better in terms of recycling. 

    Unbelievable or adventurous as it may seem, the practice of feeding the vultures is for Giorgos not more important than cleaning an old stone fountain from its dirt, coming up with an owl’s nest, and placing it on a tree where she is seen to frequent, or rushing to unblock a goat’s horns that got trapped at the fence. Preserving natural and cultural elements alike, this persisting local is used to still be keeping old tree trunks found around Milia, wood that was once used for construction and is still strong enough for potential re-use, especially if it comes from amazingly smelling trees, such as cedars. 

    Don’t take him wrong, though, he will not drive you around for vulture feeding if you happen to visit Milia for a relaxing stay. Nor will he point out where these awe-inspiring birds (the “ornea” in Cretan dialect) frequent for the lunch that he provides them with. By now he knows, they never show up if anybody approaches out of curiosity or to take photos. It is a different deal they have with him, and it is about mutual respect, a kind of intimate relationship, and rare proximity. Thus they approach, yes, but only when he is alone. They even recognize his car.


  • Tetraicho’s Swashbuckling Strings: ‘Pirates’ & More Reimagined at Vlatos Jazz 2025

    Tetraicho’s Swashbuckling Strings: ‘Pirates’ & More Reimagined at Vlatos Jazz 2025

    S08.E12 Tetraicho FULL CONCERT VIDEO – Last night’s performance by Tetraicho (Four Sounds) at Vlatos Jazz was a mesmerizing fusion of tradition and whimsy that left the crowd roaring with delight. This quartet—three virtuoso violinists (Maria Manousaki, Michalis Loufardakis and Markos Renieris) and one masterful laouto player (the one and only Kyriakos Stavrianoudakis, Crete’s own rhythm section)—brought raw, unscripted magic to the stage. Remarkably, three members can’t read or write music, yet they rank among the finest talents west of Crete, their intuition and years of communal playing weaving spells no notation could capture.The highlight? Their electrifying reinterpretation of “Pirates of the Caribbean” and manu other popular tunes. Gone was the orchestral bombast; in its place, swirling violin lines evoked crashing waves and swashbuckling chases, the laouto’s earthy twang grounding the frenzy like a salty sea anchor. The violins danced in harmonious chaos—plucked strings mimicking rigging snaps, bowed melodies summoning ghostly ships—building to a crescendo that had the audience on their feet, clapping and cheering wildly.In a cozy jazz venue nestled in Crete’s hills, Tetraicho’s authenticity shone. No scores, just pure expression from souls steeped in island lore. It was joyous, innovative, and utterly unforgettable—a testament to music’s power beyond the page. If you’re near Chania, catch them next time; your ears (and heart) will thank you.

  • Duke Guillaume’s Soulful Sax & Monochrome Magic at Vlatos Jazz 2025

    Duke Guillaume’s Soulful Sax & Monochrome Magic at Vlatos Jazz 2025

    S08.E10 – This video of the Vlatos Jazz event captures a vibrant and soulful performance set against the rustic charm of Vlatos, Crete. The scene opens with the stage bathed in stark monochrome, emphasizing the textures of the instruments and the expressive movements of the musicians. Master saxophonist Duke Guillaume, hailing from Brooklyn, New York, takes center stage, his presence commanding yet warm. His saxophone gleams under the stage lights, its curves and keys popping in the high-contrast visuals, creating a dramatic focal point.The rhythm section is introduced first, setting the tone with a tight, groovy foundation. Stefan Olofsson on piano lays down intricate chords, his fingers dancing across the keys with a crisp clarity that the black-and-white palette accentuates, giving each note a visual weight. Lefteris Papadakis on bass delivers a deep, resonant pulse, his upright bass standing tall in the frame, its dark silhouette grounding the ensemble. Giannis Paterakis on drums adds dynamic flair, his sticks a blur of motion, the high contrast amplifying the energy of his rhythms as cymbals shimmer in sharp white bursts.Duke Guillaume steps forward to lead with one of his original compositions, a piece that blends fresh jazz and soul vibes with a modern edge. The camera captures close-ups of his saxophone, the keys glinting as he weaves intricate melodies, his body swaying with the music’s flow. The high-contrast effect heightens the emotional intensity, casting deep shadows that mirror the soulful depth of his playing. The rhythm section locks in seamlessly, their interplay a visual and sonic dance of light and dark tones.Next, the band shifts to a “golden oldie,” a classic jazz standard that brings a nostalgic warmth to the set. Maria Manousaki joins on violin, her entrance a striking moment as her bow cuts through the air, the strings catching the light in sharp relief. Her playing adds a lyrical, soaring quality, the high contrast emphasizing the delicate yet powerful strokes of her bow. The ensemble’s chemistry is palpable, with the black-and-white aesthetic lending a timeless, almost cinematic quality to the performance, evoking the feel of a classic jazz club.The set closes with an all-time classic, a rousing number that brings the house down. The camera pans across the stage, capturing the musicians’ expressions—Duke’s focused intensity, Stefan’s subtle grin, Lefteris’s steady groove, Giannis’s rhythmic drive, and Maria’s passionate flourishes. The high-contrast visuals amplify the energy, with bright highlights on the instruments and deep shadows creating a moody, immersive atmosphere. The crowd, though not always visible, can be felt through the music’s infectious swing, leaving a lasting impression of a night filled with jazz magic.

  • Meller Family’s Starlit Serenade: Strawberry Tree Tribute at Vlatos Jazz 2025

    Meller Family’s Starlit Serenade: Strawberry Tree Tribute at Vlatos Jazz 2025

    S08.E09 – A Night of Musical Magic Under the Stars — Last night, Vlatos Jazz Summer 2025 delivered an unforgettable evening at the charming Vlatos Jazz venue, nestled in the heart of Crete’s lush landscape. The starlit sky and cool summer breeze set the perfect stage for an extraordinary performance by Paul Meller (guitar and composition), joined by his prodigiously talented children, Maxim Meller on dukduk and bass clarinet, and Elysia Meller on violin. The event drew a vibrant crowd, including a notable contingent from nearby Perivolia, whose presence added a warm, communal spirit to the night. From the outset, Paul Meller’s masterful guitar work anchored the performance with a blend of technical precision and soulful expression. His compositions, both original and reimagined, showcased his deep musicality and ability to weave narratives through sound. The trio’s chemistry was palpable, with Maxim and Elysia bringing youthful virtuosity and emotional depth to the stage, elevating the concert to something truly special. The setlist was a delightful mix of classic and original works. The ensemble’s renditions of Erik Satie’s hauntingly minimalist *Gymnopédies* and Jacques Brel’s emotive *Ne me quitte pas* were breathtaking. Paul’s delicate guitar phrasing intertwined seamlessly with Elysia’s ethereal violin, which danced with a celestial grace, while Maxim’s dukduk and bass clarinet added rich, unexpected textures that grounded the pieces in a fresh, contemporary jazz idiom. Their interpretation honored the originals while infusing them with a modern, improvisational flair that captivated the audience. The highlight of the evening was an original composition by Paul Meller, dedicated to the strawberry tree (Arbutus unedo), a beloved feature of the Vlatos and Perivolia landscape. This piece was a poetic tribute, blending earthy rhythms with soaring melodies that evoked the tree’s vibrant red fruit and evergreen leaves. Maxim’s soulful bass clarinet solo, layered over Elysia’s lyrical violin and Paul’s intricate guitar, painted a vivid sonic portrait of the Cretan countryside. The audience was visibly moved, with many exchanging knowing smiles, as if the music had captured the very essence of their surroundings. The intimate setting of Vlatos Jazz, with its open-air ambiance and rustic charm, amplified the experience. The stars twinkling above seemed to mirror the trio’s sparkling interplay, and the cool night air carried the music effortlessly to every listener. The crowd, including the honored guests from Perivolia, responded with rapturous applause, their enthusiasm a testament to the trio’s ability to connect deeply with their audience. In just under an hour and a half, the Meller family delivered a performance that was both technically dazzling and emotionally resonant. Vlatos Jazz Summer 2025 has set a high bar with this concert, proving once again why this venue remains a gem for music lovers. If last night was any indication, the rest of the season promises to be extraordinary.

  • Kate Dunphy’s Enchanted Accordion Tale with Manousaki & Papadakis at Vlatos Jazz 2025

    Kate Dunphy’s Enchanted Accordion Tale with Manousaki & Papadakis at Vlatos Jazz 2025

    S08.E08.P01 – Last night, under a velvet canopy of stars in the heart of Vlatos, the air thrummed with romance as the renowned accordionist Kate Dunphy from New York took the stage at Vlatos Jazz. Joined by the soulful violin of curator Maria Manousaki and the steady, resonant pulse of Crete’s own Lefteris Papadakis on bass, the trio wove a spell that left the audience breathless, hearts entwined in the warm August night. The setting was pure magic—a rustic outdoor venue cradled by the Cretan hills, where the soft glow of lanterns mingled with the starlight above. As Kate’s accordion breathed its first notes, the crowd hushed, drawn into a world where every melody felt like a whispered love letter. Her fingers danced across the keys, coaxing out famous standards that carried the weight of nostalgia—tunes like “La Vie en Rose” and “Besame Mucho,” each note infused with a longing that seemed to pull the stars closer. Yet it was her original compositions that stole the evening, their haunting beauty unfurling like a secret shared between lovers. Each melody was a story, tender and evocative, painting images of moonlit walks and promises made in quiet moments. Maria Manousaki’s violin was the perfect partner, its strings singing with a passion that matched Kate’s accordion note for note. Maria’s playing was both fiery and delicate, her bow weaving intricate countermelodies that wrapped around Kate’s lead like a warm embrace. There were moments when their eyes met, a silent conversation of artists lost in the music, their chemistry palpable and electric. Lefteris Papadakis anchored the trio with his double bass, his deep, resonant tones grounding the ethereal interplay above. His steady rhythm was the heartbeat of the night, a reminder of love’s quiet constancy beneath its soaring highs. The warm air seemed to carry the music further, wrapping the audience in an intimate cocoon. Couples leaned closer, hands clasped, as the melodies stirred memories of first loves and fleeting glances. Even those alone found themselves swaying, caught in the romance of the moment, as if the music itself was a partner inviting them to dance. The trio’s synergy was effortless, each musician anticipating the others, creating a sound that felt both timeless and deeply personal. As Kate transitioned into one of her own compositions, the mood shifted to something even more profound. The piece began softly, almost hesitant, like the first confession of love, then swelled into a crescendo that felt like the rush of falling headlong into devotion. The audience was transfixed, some with eyes closed, others gazing at the stars, all united by the shared experience of beauty so pure it ached. The night ended too soon, as all perfect moments do, but the final notes lingered in the air, reluctant to fade. Applause erupted, warm and heartfelt, a collective thank you for a performance that felt like a gift. As we wandered back into the night, the music stayed with us, a reminder of love’s ability to connect, to uplift, to make even a fleeting evening feel eternal. Kate Dunphy, Maria Manousaki, and Lefteris Papadakis didn’t just play music—they crafted a love story under the Cretan sky, one we’ll carry in our hearts forever.

  • Vlatos Jazz 2025 with the Melos String Quartet

    Vlatos Jazz 2025 with the Melos String Quartet

    The Melos String Quartet’s debut at Vlatos Jazz 2025, led by violinist Maria Manousaki, was a highlight of the festival, delivering a performance that fused classical precision with jazz-infused spontaneity. Described as “pure musical fireworks” on the Vlatos Jazz website, the quartet showcased a vibrant set in the intimate, open-air setting of Vlatos, Crete. Their repertoire blended traditional string quartet works with jazz-inspired arrangements, reflecting Manousaki’s genre-blending vision. The ensemble’s tight interplay and expressive dynamics captivated the audience, with Manousaki’s virtuosic violin leading the charge. The rustic Cretan backdrop amplified the quartet’s warm, melodic sound, making for an unforgettable night that bridged classical and jazz traditions with flair.[](https://www.vlatos.gr/events/)

  • Vlatos Jazz Summer 2025 FULL PROGRAM

    Vlatos Jazz Summer 2025 FULL PROGRAM

    Buckle up, jazz freaks, because Vlatos Jazz Summer 2025 is about to launch you into a parallel dimension where Crete’s ancient mountains collide with the wildest sounds this side of the galaxy! We’re talking 13 straight Sundays of sonic chaos in the tiny village of Vlatos, Kissamos – a place so chill it’s basically a portal to another realm. Starting June 29th, three Greek guitar gods (Apostolis Leventopoulos, Giorgios Limakis, and Kostas Mitropoulos) will shred your soul into a million pieces with riffs that could wake the gods of Olympus. Then, on July 6th, the Meλos String Quartet will drag you from the White Mountains to the blue seas with strings that scream like sirens on a jazz-fueled bender.

    But wait – it gets crazier! The Blues Jazz Trio on July 13th will summon ancient spirits with classic tunes so raw, you’ll swear the venue’s stone walls are sweating. Maria Manousaki’s Quartet on July 20th? They’re dropping Behind Closed Doors vibes so hot, the Cretan goats outside will start scat-singing. The Cretan Jazz Trio on July 27th is straight-up time travel – traditional Kissamos instruments meet jazz so unhinged, you’ll think you’re at a 1920s Harlem speakeasy in the middle of a Minoan ruin.

    August goes full supernova: the 3 Keys Trio on the 3rd will have Lefteris Papadakis’ electric bass shaking the earth like a tectonic plate on a mission. Ilias Zoutsos on August 10th is basically a musical alchemist, turning the Cretan Lyra into a jazz weapon of mass reinvention with Spyros Loukos’ piano as his co-conspirator. Then, on the 17th, Kate Dunphy and her Carte Blanche Vintage Quartet teleport straight from a 1930s New York jazz den – harmonica so sultry, the stars above Vlatos will blush.

    Paul Meller & Friends on August 24th? This ex-journalist-turned-blues-wizard is throwing a party so wild, even the olive trees will be dancing. Duke Guilliaume’s Jazz Soul Trio on the 31st will make the mountains weep with New York soul so deep, you’ll forget which continent you’re on. September 7th, Emily Holden’s electric violin will spark lightning storms over Vlatos – her sound is a cosmic explosion of jazz, classical, and pure chaos. TETRAIXO on the 14th is four sounds of madness – Maria Manousaki and her Cretan violin-lute posse will make you feel like you’re surfing a tsunami of melody. And closing it all on September 21st, Giorgos Chachlakis and the Rebetiko crew will rip your heart out with sounds so raw, you’ll be crying into your raki by the encore.

    Every Sunday at 20:30, only 60 seats, €10-15 a pop – local food, drinks, and a free peek at the Vlatos Folklore Museum. Book fast via PayPal at vlatos.gr, or you’ll be stuck listening to the goats bleat instead. Scan the QR code for the full program, and brace yourself – Vlatos Jazz 2025 isn’t just a festival; it’s a jazz-fueled fever dream you’ll never wake up from!

  • Vlatos Kazani

    Vlatos Kazani

    During the end of October and the beginning of November Vlatos organised 4 Friday nights in the Kazani of the Vaidakis family. Guest were able to buy a ticket that included music, drinks and food. An experience for those unknown with this deep Cretan Culture.

  • ΔΩΡΕΑΝ ΕΚΔΗΛΩΣΗ ΣΤΟΝ ΒΛΑΤΟΣ

    ΔΩΡΕΑΝ ΕΚΔΗΛΩΣΗ ΣΤΟΝ ΒΛΑΤΟΣ

    Την Τετάρτη 28 Αυγούστου το σύλλογό μας μαζί με την Περιφέρεια Κρήτης υπάρχει μια έξτρα συναυλία Vlatos Jazz. Οι διάσημοι Αχιλλέας Περσίδης και Δημήτρης Κολιακουδάκης θα παίξουν στις 20:30, είσοδος ελεύθερη.

  • Κοπή Πίτας 2023

    Κοπή Πίτας 2023

    Η Ενορία Βλάτους, ο Πολιτιστικός Σύλλογος Βλάτους «Νέοι ορίζοντες» και η κοινότητα Βλάτους καλούν τα μέλη και φίλους, την Κυριακή 12/02 στις 12:00, στην κοπή πίτας για το νέο έτος. Παράλληλα θα γίνει τιμητική αναφορά στην μνήμη του πρόσφατα εκλιπόντος, Παπαδημητράκη Δημήτριο, που διετέλεσε πρόεδρος του συλλόγου την περίοδο 2008-2014.
    Σας περιμένουμε!

    Jacob Tsourounakis remembers Dimitris Papadimitrakis