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Τα τελευταία νέα από το χωριό Βλάτος

  • The Chestnut Tree, a Perfect Winter Romance

    The Chestnut Tree, a Perfect Winter Romance

    There are no certain skills required to fall in love with a chestnut tree; she is audacious, classy, and casual at the same time, passively aggressive to enemies, and courageous, at the same time. She is a living miracle.

    As you are packing for your winter travel, space, weight and time are to be considered, but not when you are about to enter the chestnut forest of Milia, where space and time vanish. As it happens in every romance, that is worth being named as such. 

    So if you’re spending your winter vacation around the area of western Crete, get ready for the perfect winter love affair, that follows the hiking and sightseeing parts of your trip; the chestnut tree is your other half.

    The common chestnut (Castanea sativa) of the northern hemisphere, is widespread in the mountainous areas of western Crete, and gives edible fruits, a product that has long been a source of income to the locals -and to the inhabitants of Milia, as well, since the 16th century. It is a large tree with long leaves, which can reach a height of 30 m, although the average ranges from 12 to 15 m.

    What is poetic about her, is the fact that the “male” and “female” flowers are formed on the same plant, but separately, awaiting the proper touch of Nature in order to come together. Sounds like a fairytale, extracted from some previous centuries’ romantic literary genre? That and more, the “male” parts are united in upright florets and appear in July, whereas the “female” ones are born united in groups, at the ends of the branches, inside a spiny sheath. And, at some unexpected moment in late September and early October, we just eat her autumn fruits!

    Of the fruit-bearing varieties of this species, the most important are the “Chestnuts of Pelion” (in Central Greece) and the “Chestnuts of Crete”. The climate should be temperate and humid. It withstands the winter cold but needs a warm and sunny location to grow well, bloom, and complete the ripening of its fruits. It is pleasant to be thinking of the chestnut tree as your romantic relationship. You’ll typically need three layers to protect yourself from a winter cold or a bad romance; one to wick, one to insulate, and one to protect. But the chestnut tree is not of the kind. She is tender and comprehensive in her attitude, needs care, however. Are you willing to jeopardize your strong character and your attitude? She, too, has a shelter of spines. Take a lesson out of this relationship, no one is to be hurt if taken care of with respect and…slowly.

  • Get a front row seat for all Vlatos Jazz concerts with the VIP ticket

    Get a front row seat for all Vlatos Jazz concerts with the VIP ticket

    You already know the feeling: the hush in the 150-year-old stone church, candles flickering, the first note floating through perfect acoustics straight to your heart.Now imagine that magic… every single Sunday from June 28 to September 27.
    Front row. Every time. No stress, no saving seats — just you, right there, breathing every chord, every groove, every moment.The 2026 VIP Season Ticket gives you exactly that: 

    Ilias Zoutsos and Spyros Loukos at Vlatos Jazz Festival
    Ilias Zoutsos and Spyros Loukos at Vlatos Jazz Festival with audience
    • Guaranteed front-row seats for all 14 concerts
    • Priority entry & the best sound/view in our legendary venue 
    • A meaningful way to support the cultural society that keeps this unique acoustic jewel alive

    Only €199 for the full season — incredible value for 13 unforgettable evenings.
    Very limited availability — these sell out fast every year.If Vlatos Jazz already feels like home to you, this is how you become part of its inner circle.Claim your VIP pass before they’re gone →
    https://www.vlatos.gr/event/vlatos-jazz-season-ticket/We can’t wait to see you in the front row again #VlatosJazz #VIPPass #FrontRowMagic #AcousticJazzCrete #Summer2026 #CreteHiddenGem

  • Hiking paths on Openstreetmap

    Hiking paths on Openstreetmap

    GPS is very unreliable in the Cretan mountains

    But never mind that we live under a big NATO bubble and hence the problems people face when using GPS on Crete. Nestled in the rugged Kissamos region of western Crete, the villages of Vlatos and Innachorio (also known as Inachori, now part of Kissamos municipality) offer a wealth of peaceful hiking (click here for more info about hiking around Vlatos) amid olive groves, chestnut forests, and dramatic mountain slopes at around 500–600 m elevation. These areas feature easy-to-moderate trails perfect for nature lovers seeking serene escapes rather than intense gorge descents.OpenStreetMap excels here as a free, community-updated resource with detailed trail mapping. View and explore paths directly on OpenStreetMap.org (search for “Vlatos, Kissamos, Crete” or zoom to coords ~35.39°N, 23.65°E). Key highlights include:

    • Park of Peace Trails (Vlatos outskirts): Interconnected easy loops (4–6 km total, 1–2 hours, <150 m elevation gain) through meadows, pines, and olive terraces—ideal for picnics and birdwatching. Well-marked and visible on OSM.
    • Vlatos to Milia Eco-Village: Moderate 5–7 km out-and-back (2–3 hours, ~200 m gain) along old mule paths to the sustainable chestnut-forest hamlet of Milia.
    • Vlatos to Elos Chestnut Trail: Easy-moderate 6 km linear path south into Innachorio, connecting to chestnut groves and village charm.
    • E4 European Long-Distance Path sections: The renowned E4 weaves through Innachorio’s landscape (traceable on OSM via waymarkedtrails.org or directly on OSM layers). Enjoy scenic village-to-village links and extensions toward Elafonisi’s iconic pink-sand beach (e.g., 12–15 km moderate coastal-mountain stretch from Livadia area westward).

    October shines for visits, with mild 20–25°C temps and golden autumn foliage. Trails are generally well-marked but rocky in spots—wear sturdy shoes, carry water, and download OSM-based apps like OsmAnd (excellent offline maps & navigation) or Organic Maps for reliable routing without cell signal. For broader planning, cross-reference with AllTrails or Wikiloc, but OSM provides the most current, community-sourced detail for this authentic, off-the-beaten-path corner of Crete. Happy trails!


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  • Giorgio Chachlakis & Band: Explosive Rebetiko Finale at Vlatos Jazz 2025

    Giorgio Chachlakis & Band: Explosive Rebetiko Finale at Vlatos Jazz 2025

    S08.E13 FULL CONCERT “Wow, what a way to close out the season at Vlatos Jazz! Giorgio Chachlakis and his band brought the house down with their electrifying Rebetiko performance straight from Greece. The energy was infectious, and by the end, everyone was singing and dancing along! A truly special night filled with soulful music and unforgettable vibes. Thank you all for an incredible season—see you next year for more Vlatos Jazz magic!”

  • Tetraicho’s Swashbuckling Strings: ‘Pirates’ & More Reimagined at Vlatos Jazz 2025

    Tetraicho’s Swashbuckling Strings: ‘Pirates’ & More Reimagined at Vlatos Jazz 2025

    S08.E12 Tetraicho FULL CONCERT VIDEO – Last night’s performance by Tetraicho (Four Sounds) at Vlatos Jazz was a mesmerizing fusion of tradition and whimsy that left the crowd roaring with delight. This quartet—three virtuoso violinists (Maria Manousaki, Michalis Loufardakis and Markos Renieris) and one masterful laouto player (the one and only Kyriakos Stavrianoudakis, Crete’s own rhythm section)—brought raw, unscripted magic to the stage. Remarkably, three members can’t read or write music, yet they rank among the finest talents west of Crete, their intuition and years of communal playing weaving spells no notation could capture.The highlight? Their electrifying reinterpretation of “Pirates of the Caribbean” and manu other popular tunes. Gone was the orchestral bombast; in its place, swirling violin lines evoked crashing waves and swashbuckling chases, the laouto’s earthy twang grounding the frenzy like a salty sea anchor. The violins danced in harmonious chaos—plucked strings mimicking rigging snaps, bowed melodies summoning ghostly ships—building to a crescendo that had the audience on their feet, clapping and cheering wildly.In a cozy jazz venue nestled in Crete’s hills, Tetraicho’s authenticity shone. No scores, just pure expression from souls steeped in island lore. It was joyous, innovative, and utterly unforgettable—a testament to music’s power beyond the page. If you’re near Chania, catch them next time; your ears (and heart) will thank you.

  • Emily Holden’s Cosmic Strings: Super Blood Eclipse at Vlatos Jazz 2025

    Emily Holden’s Cosmic Strings: Super Blood Eclipse at Vlatos Jazz 2025

    S08.E11 – Under the velvet Cretan sky on September 7, 2025, as the Earth’s shadow crept across the full moon in a rare super blood eclipse, Vlatos Jazz transformed into a cosmic amphitheater. Nestled in the rugged hills of Crete, this ancient open-air venue—known for its stellar acoustics and serene village vibe—hosted Emily Holden’s debut performance. The electric violinist, a rising star blending classical finesse with rock ‘n’ roll grit, arrived like a shooting star, her instrument humming with electric promise. What unfolded was a spellbinding fusion of sound and shadow that left the audience utterly transfixed.As dusk deepened, the eclipse began its slow dance. The moon, swollen to supermoon proportions, tinged crimson by atmospheric dust, hung low over the olive groves. Holden’s set timed perfectly with the event’s peak totality around 10:30 PM local time. She emerged solo, her sleek electric violin (a custom 5-string beauty with looping pedals) slicing through the hush. No backing band—just her, effects, and the night. Holden’s Vlatos debut wasn’t just a concert; it was a ritual, where electric strings met eternal skies. In a world of fleeting distractions, this night etched permanence—proof that music can eclipse even the heavens.

  • Duke Guillaume’s Soulful Sax & Monochrome Magic at Vlatos Jazz 2025

    Duke Guillaume’s Soulful Sax & Monochrome Magic at Vlatos Jazz 2025

    S08.E10 – This video of the Vlatos Jazz event captures a vibrant and soulful performance set against the rustic charm of Vlatos, Crete. The scene opens with the stage bathed in stark monochrome, emphasizing the textures of the instruments and the expressive movements of the musicians. Master saxophonist Duke Guillaume, hailing from Brooklyn, New York, takes center stage, his presence commanding yet warm. His saxophone gleams under the stage lights, its curves and keys popping in the high-contrast visuals, creating a dramatic focal point.The rhythm section is introduced first, setting the tone with a tight, groovy foundation. Stefan Olofsson on piano lays down intricate chords, his fingers dancing across the keys with a crisp clarity that the black-and-white palette accentuates, giving each note a visual weight. Lefteris Papadakis on bass delivers a deep, resonant pulse, his upright bass standing tall in the frame, its dark silhouette grounding the ensemble. Giannis Paterakis on drums adds dynamic flair, his sticks a blur of motion, the high contrast amplifying the energy of his rhythms as cymbals shimmer in sharp white bursts.Duke Guillaume steps forward to lead with one of his original compositions, a piece that blends fresh jazz and soul vibes with a modern edge. The camera captures close-ups of his saxophone, the keys glinting as he weaves intricate melodies, his body swaying with the music’s flow. The high-contrast effect heightens the emotional intensity, casting deep shadows that mirror the soulful depth of his playing. The rhythm section locks in seamlessly, their interplay a visual and sonic dance of light and dark tones.Next, the band shifts to a “golden oldie,” a classic jazz standard that brings a nostalgic warmth to the set. Maria Manousaki joins on violin, her entrance a striking moment as her bow cuts through the air, the strings catching the light in sharp relief. Her playing adds a lyrical, soaring quality, the high contrast emphasizing the delicate yet powerful strokes of her bow. The ensemble’s chemistry is palpable, with the black-and-white aesthetic lending a timeless, almost cinematic quality to the performance, evoking the feel of a classic jazz club.The set closes with an all-time classic, a rousing number that brings the house down. The camera pans across the stage, capturing the musicians’ expressions—Duke’s focused intensity, Stefan’s subtle grin, Lefteris’s steady groove, Giannis’s rhythmic drive, and Maria’s passionate flourishes. The high-contrast visuals amplify the energy, with bright highlights on the instruments and deep shadows creating a moody, immersive atmosphere. The crowd, though not always visible, can be felt through the music’s infectious swing, leaving a lasting impression of a night filled with jazz magic.

  • Meller Family’s Starlit Serenade: Strawberry Tree Tribute at Vlatos Jazz 2025

    Meller Family’s Starlit Serenade: Strawberry Tree Tribute at Vlatos Jazz 2025

    S08.E09 – A Night of Musical Magic Under the Stars — Last night, Vlatos Jazz Summer 2025 delivered an unforgettable evening at the charming Vlatos Jazz venue, nestled in the heart of Crete’s lush landscape. The starlit sky and cool summer breeze set the perfect stage for an extraordinary performance by Paul Meller (guitar and composition), joined by his prodigiously talented children, Maxim Meller on dukduk and bass clarinet, and Elysia Meller on violin. The event drew a vibrant crowd, including a notable contingent from nearby Perivolia, whose presence added a warm, communal spirit to the night. From the outset, Paul Meller’s masterful guitar work anchored the performance with a blend of technical precision and soulful expression. His compositions, both original and reimagined, showcased his deep musicality and ability to weave narratives through sound. The trio’s chemistry was palpable, with Maxim and Elysia bringing youthful virtuosity and emotional depth to the stage, elevating the concert to something truly special. The setlist was a delightful mix of classic and original works. The ensemble’s renditions of Erik Satie’s hauntingly minimalist *Gymnopédies* and Jacques Brel’s emotive *Ne me quitte pas* were breathtaking. Paul’s delicate guitar phrasing intertwined seamlessly with Elysia’s ethereal violin, which danced with a celestial grace, while Maxim’s dukduk and bass clarinet added rich, unexpected textures that grounded the pieces in a fresh, contemporary jazz idiom. Their interpretation honored the originals while infusing them with a modern, improvisational flair that captivated the audience. The highlight of the evening was an original composition by Paul Meller, dedicated to the strawberry tree (Arbutus unedo), a beloved feature of the Vlatos and Perivolia landscape. This piece was a poetic tribute, blending earthy rhythms with soaring melodies that evoked the tree’s vibrant red fruit and evergreen leaves. Maxim’s soulful bass clarinet solo, layered over Elysia’s lyrical violin and Paul’s intricate guitar, painted a vivid sonic portrait of the Cretan countryside. The audience was visibly moved, with many exchanging knowing smiles, as if the music had captured the very essence of their surroundings. The intimate setting of Vlatos Jazz, with its open-air ambiance and rustic charm, amplified the experience. The stars twinkling above seemed to mirror the trio’s sparkling interplay, and the cool night air carried the music effortlessly to every listener. The crowd, including the honored guests from Perivolia, responded with rapturous applause, their enthusiasm a testament to the trio’s ability to connect deeply with their audience. In just under an hour and a half, the Meller family delivered a performance that was both technically dazzling and emotionally resonant. Vlatos Jazz Summer 2025 has set a high bar with this concert, proving once again why this venue remains a gem for music lovers. If last night was any indication, the rest of the season promises to be extraordinary.

  • Kate Dunphy’s Enchanted Accordion Tale with Manousaki & Papadakis at Vlatos Jazz 2025

    Kate Dunphy’s Enchanted Accordion Tale with Manousaki & Papadakis at Vlatos Jazz 2025

    S08.E08.P01 – Last night, under a velvet canopy of stars in the heart of Vlatos, the air thrummed with romance as the renowned accordionist Kate Dunphy from New York took the stage at Vlatos Jazz. Joined by the soulful violin of curator Maria Manousaki and the steady, resonant pulse of Crete’s own Lefteris Papadakis on bass, the trio wove a spell that left the audience breathless, hearts entwined in the warm August night. The setting was pure magic—a rustic outdoor venue cradled by the Cretan hills, where the soft glow of lanterns mingled with the starlight above. As Kate’s accordion breathed its first notes, the crowd hushed, drawn into a world where every melody felt like a whispered love letter. Her fingers danced across the keys, coaxing out famous standards that carried the weight of nostalgia—tunes like “La Vie en Rose” and “Besame Mucho,” each note infused with a longing that seemed to pull the stars closer. Yet it was her original compositions that stole the evening, their haunting beauty unfurling like a secret shared between lovers. Each melody was a story, tender and evocative, painting images of moonlit walks and promises made in quiet moments. Maria Manousaki’s violin was the perfect partner, its strings singing with a passion that matched Kate’s accordion note for note. Maria’s playing was both fiery and delicate, her bow weaving intricate countermelodies that wrapped around Kate’s lead like a warm embrace. There were moments when their eyes met, a silent conversation of artists lost in the music, their chemistry palpable and electric. Lefteris Papadakis anchored the trio with his double bass, his deep, resonant tones grounding the ethereal interplay above. His steady rhythm was the heartbeat of the night, a reminder of love’s quiet constancy beneath its soaring highs. The warm air seemed to carry the music further, wrapping the audience in an intimate cocoon. Couples leaned closer, hands clasped, as the melodies stirred memories of first loves and fleeting glances. Even those alone found themselves swaying, caught in the romance of the moment, as if the music itself was a partner inviting them to dance. The trio’s synergy was effortless, each musician anticipating the others, creating a sound that felt both timeless and deeply personal. As Kate transitioned into one of her own compositions, the mood shifted to something even more profound. The piece began softly, almost hesitant, like the first confession of love, then swelled into a crescendo that felt like the rush of falling headlong into devotion. The audience was transfixed, some with eyes closed, others gazing at the stars, all united by the shared experience of beauty so pure it ached. The night ended too soon, as all perfect moments do, but the final notes lingered in the air, reluctant to fade. Applause erupted, warm and heartfelt, a collective thank you for a performance that felt like a gift. As we wandered back into the night, the music stayed with us, a reminder of love’s ability to connect, to uplift, to make even a fleeting evening feel eternal. Kate Dunphy, Maria Manousaki, and Lefteris Papadakis didn’t just play music—they crafted a love story under the Cretan sky, one we’ll carry in our hearts forever.

  • Ilias Zoutsos’ Lyra & Spyros Loukos’ Piano: Classical Crete Reimagined at Vlatos Jazz 2025

    Ilias Zoutsos’ Lyra & Spyros Loukos’ Piano: Classical Crete Reimagined at Vlatos Jazz 2025

    S08.E07.P02 – Last night, August 10, 2025, the Vlatos Jazz Festival in Crete’s serene village of Vlatos delivered a mesmerizing performance under a glowing full moon. Ilias Zoutsos, a virtuoso of the Cretan Lyra, joined forces with the brilliant pianist Spyros Loukos in a genre-defying set that left the audience spellbound in which he orchestrated famous classical pieces for his lyra. Nestled among olive groves and bathed in a gentle summer breeze, the open-air venue—an ancient stone church—provided an intimate, almost magical backdrop for this sonic journey.Zoutsos, a master of both traditional and innovative soundscapes, wielded his lyra with breathtaking finesse, reimagining classical compositions like Erik Satie’s Gymnopédies with the lyra taking the role of the first violin. The haunting, delicate notes of the lyra floated through the night, blending Satie’s minimalist elegance with a distinctly Cretan soul. Loukos’ piano responded with a crystalline touch, his chords echoing the wistful melancholy of the originals while weaving in subtle jazz flourishes that felt both modern and timeless. The interplay was seamless, each musician amplifying the other’s emotional depth.The duo’s daring crossover peaked with their rendition of an old Cretan song, where Loukos’ piano ingeniously mimicked the rhythmic pulse of a Cretan lute. Zoutsos’ lyra soared, its raw, earthy tones carrying the weight of tradition while dancing with contemporary flair. The fusion was electrifying—a dialogue between past and present that felt like a love letter to Crete’s musical heritage, reimagined through a jazz-classical lens. The audience, a vibrant mix of locals and travelers, sat rapt, their faces illuminated by candlelight and moonlight, swaying to the music’s hypnotic pull.The warm summer night, cooled by a gentle breeze, amplified the intimacy of the performance. Every note seemed to resonate with the surrounding mountains, creating a shared moment of transcendence. Zoutsos and Loukos didn’t just perform; they crafted a sonic tapestry that honored tradition while pushing boundaries. This was Vlatos Jazz at its finest—a night of musical alchemy that lingered long after the final note faded.